In a radical departure from its predecessors is stylish, soft edges, the NX200 Samsung designed to appeal to shooter fans via camera and insidious. Her professional mix of curves and hard edges appeals to the eye and hand. Even if I shot a short time, his sound, his features were strong, and its performance was cool.
The handful of Samsung NX200 is good for the size, can be analyzed as a threshold, it fell from the top down, but the skin of the thumb pad to keep soft and textured fingertips enough. The only thing that interferes with my grip on the tabs, in collaboration with D-rings. Even if the noise can enter your video, apparently among the designers and fans of the camera, as it appears in most cameras these days seem to be.
The front view shows how serious they are about the design philosophy, at least on the front: the surfaces are all vertical curves, while the horizontal surfaces are flat and square. Typically Samsung, art is an aggressive design that works well. While the NX100 also seemed very artistic and sensual, the NX200 offers more seriously.
Stereo Microphones next to the claw, just steps from mono microphone is the NX100. Four speakers are holes in the vicinity. A small button is placed on the eastern tip, where NX200 predecessor. I would rather have a little 'later, and a little "bigger, but I'm glad that there is a second dial for more control. And' in blue used to zoom in and out in playback mode, but also in different modes and menus (just what was in manual control of the camera, I looked confused, so comment below).
I'm glad to see a power switch for the trigger. This is the logical place for a power switch, and seems to see cameras with interchangeable lenses this year. The mode dial has some new and unusual symbols, and is well positioned to turn more easily. It seemed rigid enough to prevent accidental activation while in a back room or a large pocket, but we have to wait for a delivery model, to be sure, dass
Much of the beauty of the AMOLED screen Samsung NX200 is seen. Not only the image on the screen quite well, the GUI is superb and well done. More importantly, the animations are not fast enough to get in the way.
The controls are fairly well distributed, but as they were near the predecessor NX200. The most important graphical adjustments by pressing the Fn key, which shows the Smart Panel is accessible via a menu to navigate to four lanes and back, and the options are changed using the button on the bridge higher. I seem to be the function button, where you prefer the EV button or menu, because more than once called the Menu key. EV is a good place though. It takes the wheel and turn on the upper deck. Very natural. And the record button is quite far from the grip of an inch, but runs the risk of accidental activation as well.
During a walk around the fire with the NX200 Samsung, I found it very comfortable to use. As I said, the animation was quick and catchy, a very important feature in a car when you can not afford to wait for features swoopy, when a passing moment before your eyes.
The NX200 is also special modes and functions, many of which prepared me for the time I ignored the camera. I was transferred in burst mode, which threw me for a loop at first, because he immediately started recording at 30 frames per second at five megapixels per shot. Not bad. The camera does not change with the focal plane in this way, instead of all you hear are the clicks on the speakers while the rear camera at high speed. You can get seven frames per second at 20 megapixels, which is not too bad, but of course you can hear and feel the trigger activity at this speed.
Samsung i-function keys, the user can quickly adjust a small selection of options in combination with the focus ring. When pressed, the camera switches between shutter speed, aperture, EV, ISO and white balance. Once the desired setting, turn the ring that fits the parameters.
Since I do not see examples of image quality, and the models we saw were a bit "rough, we can not say more before the end of the NDA. We are looking forward to a more serious even if we never liked the design of the old and the new Samsung NX series lenses.
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The handful of Samsung NX200 is good for the size, can be analyzed as a threshold, it fell from the top down, but the skin of the thumb pad to keep soft and textured fingertips enough. The only thing that interferes with my grip on the tabs, in collaboration with D-rings. Even if the noise can enter your video, apparently among the designers and fans of the camera, as it appears in most cameras these days seem to be.
The front view shows how serious they are about the design philosophy, at least on the front: the surfaces are all vertical curves, while the horizontal surfaces are flat and square. Typically Samsung, art is an aggressive design that works well. While the NX100 also seemed very artistic and sensual, the NX200 offers more seriously.
Stereo Microphones next to the claw, just steps from mono microphone is the NX100. Four speakers are holes in the vicinity. A small button is placed on the eastern tip, where NX200 predecessor. I would rather have a little 'later, and a little "bigger, but I'm glad that there is a second dial for more control. And' in blue used to zoom in and out in playback mode, but also in different modes and menus (just what was in manual control of the camera, I looked confused, so comment below).
I'm glad to see a power switch for the trigger. This is the logical place for a power switch, and seems to see cameras with interchangeable lenses this year. The mode dial has some new and unusual symbols, and is well positioned to turn more easily. It seemed rigid enough to prevent accidental activation while in a back room or a large pocket, but we have to wait for a delivery model, to be sure, dass
Much of the beauty of the AMOLED screen Samsung NX200 is seen. Not only the image on the screen quite well, the GUI is superb and well done. More importantly, the animations are not fast enough to get in the way.
The controls are fairly well distributed, but as they were near the predecessor NX200. The most important graphical adjustments by pressing the Fn key, which shows the Smart Panel is accessible via a menu to navigate to four lanes and back, and the options are changed using the button on the bridge higher. I seem to be the function button, where you prefer the EV button or menu, because more than once called the Menu key. EV is a good place though. It takes the wheel and turn on the upper deck. Very natural. And the record button is quite far from the grip of an inch, but runs the risk of accidental activation as well.
During a walk around the fire with the NX200 Samsung, I found it very comfortable to use. As I said, the animation was quick and catchy, a very important feature in a car when you can not afford to wait for features swoopy, when a passing moment before your eyes.
The NX200 is also special modes and functions, many of which prepared me for the time I ignored the camera. I was transferred in burst mode, which threw me for a loop at first, because he immediately started recording at 30 frames per second at five megapixels per shot. Not bad. The camera does not change with the focal plane in this way, instead of all you hear are the clicks on the speakers while the rear camera at high speed. You can get seven frames per second at 20 megapixels, which is not too bad, but of course you can hear and feel the trigger activity at this speed.
Samsung i-function keys, the user can quickly adjust a small selection of options in combination with the focus ring. When pressed, the camera switches between shutter speed, aperture, EV, ISO and white balance. Once the desired setting, turn the ring that fits the parameters.
Since I do not see examples of image quality, and the models we saw were a bit "rough, we can not say more before the end of the NDA. We are looking forward to a more serious even if we never liked the design of the old and the new Samsung NX series lenses.
